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Albert Bierstadt
Wreck of the Ancon in Loring Bay, Alaska
1889
14.02 x 19.76 ins / 35.6 x 50.2 cmMuseum of Fine Arts. Boston
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Albert Bierstadt
Storm in the Rocky Mountains, Mt Rosalie
1866
The Brooklyn Museum
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Albert Bierstadt
Niagara
1869
19.02 x 27.01 ins / 48.3 x 68.6 cm
Private collection
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Albert Bierstadt
The Domes of the Yosemites
1867
115.98 x 180.00 in / 294.6 x 457.2 cm St. Johnsbury Athenaeum, Vermont, USA
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Albert Bierstadt
The Sierras near Lake Tahoe, California
1865
15.51 x 20.98 in / 39.4 x 53.3 cm
Berry-Hill Galleries, New York, USA
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Albert Bierstadt
Sunset in the Yosemite Valley
1868
The Haggin Museum, Stockton, California
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Albert Bierstadt
Storm in the Rocky Mountains, Mt Rosalie
1869
82.99 x 142.24 in / 210.8 x 361.3 cm
The Brooklyn Museum, USA
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Albert Bierstadt
Seal Rock
1872
30.00 x 44.02 in / 76.2 x 111.8 cm
New Britain Museum of American Art, Connecticut, USA
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Albert Bierstadt
Butterfly
1900
Watercolour with gouache
5.00 x 7.99 inches / 12.7 x 20.3 cm
Private collection
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Albert Bierstadt
The Shore of the Turquoise Sea
1878
42.52 x 64.49 in / 108 x 163.8 cm Manoogian Collection
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Albert Bierstadt
The Oregon Trail
1869
30.98 x 49.49 ins / 78.7 x 125.7 cm The Butler Museum of American Art, Youngstown,Ohio
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Albert Bierstadt
Passing Storm over the Sierra Nevada
1870
35.98 x 54.49 ins / 91.4 x 138.4 cm The San Antonio Museum Association
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Albert Bierstadt
Yosemite Valley
1866
37.99 x 60.00 in / 96.5 x 152.4 cm
Collection of Joann and Julian Ganz, jr.
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Albert Bierstadt
Mount Corcoran
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Albert Bierstadt
The Rocky Mountains
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Albert Bierstadt
Lake in the Yosemite Valley
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Albert Bierstadt
Estes Park
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Albert Bierstadt
Grandeur of the Rockies
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Albert Bierstadt
Sierra Nevadas
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Albert Bierstadt
Mount Adams, Washington
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| Albert Bierstadt
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German-born American Hudson River School Painter, 1830-1902
Bierstadt was born in Solingen, Germany. His family moved to New Bedford, Massachusetts, in 1833. He studied painting with the members of the D??sseldorf School in D??sseldorf, Germany from 1853 to 1857. He taught drawing and painting briefly before devoting himself to painting.
Bierstadt began making paintings in New England and upstate New York. In 1859, he traveled westward in the company of a Land Surveyor for the U.S. government, returning with sketches that would result in numerous finished paintings. In 1863 he returned west again, in the company of the author Fitz Hugh Ludlow, whose wife he would later marry. He continued to visit the American West throughout his career.
Though his paintings sold for princely sums, Bierstadt was not held in particularly high esteem by critics of his day. His use of uncommonly large canvases was thought to be an egotistical indulgence, as his paintings would invariably dwarf those of his contemporaries when they were displayed together. The romanticism evident in his choices of subject and in his use of light was felt to be excessive by contemporary critics. His paintings emphasized atmospheric elements like fog, clouds and mist to accentuate and complement the feel of his work. Bierstadt sometimes changed details of the landscape to inspire awe. The colors he used are also not always true. He painted what he believed is the way things should be: water is ultramarine, vegetation is lush and green, etc. The shift from foreground to background was very dramatic and there was almost no middle distance
Nonetheless, his paintings remain popular. He was a prolific artist, having completed over 500 (possibly as many as 4000) paintings during his lifetime, most of which have survived. Many are scattered through museums around the United States. Prints are available commercially for many. Original paintings themselves do occasionally come up for sale, at ever increasing prices.
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